Street Photography Gallery

Street Photography Gallery

As I browsed through the street photography archives, I decided to produce new photographs for the street photography gallery. The archive has many thousands of images, so it will be a daunting task. To endue this mammoth task I will produce the photos in batches. Therefore, the black and white street photos posted here are selected from the first forty new photos to update the street gallery.

My Street Photography Style

I’ve been asked how I create my street photo style. My street work creativity has evolved. Creating a photo begins with mood for me. Consequently, I have to be in the right frame of mind to step out with the camera and make street photographs. This mood I’d say is one of relaxation, together with curiosity and finally some determination to find the frame I’m after.

Location planning

Location is of great importance. From past learnings, if I don’t have a location sorted, I tend to meander. This results in achieving very little. In fact, on these outings, a café seems more enticing. Once I arrive at my location I scout for the light. Mostly I enjoy working in low light, and high contrast light opportunities. Quality light source is an important element of photography.

Playing with Framing

Experimenting with framing the subject is a large part of what drives and challenges me. I look for reflective surfaces, as well as interesting scenes through windows. This is how I like to challenge myself, the camera and the lens. Of course, this means there’s a higher portion of failure. Regardless, it’s all in a day’s work, and this process keeps me interested and focused.

Curating the Photos

Once back at the studio, I import the RAW images into Adobe Lightroom. I delete the rubbish. Then I’ll do a simple conversion to black and white of images. I let the images sit for a while. I refine the selects, and usually, this will include more deleting.

Processing the Photos

Processing the image is just as enjoyable as making the picture. The RAW photos contain so much information to work with. Generally, I put on some tunes, and completely zone out in this part of the creative process. I’m respectful of the subject and make very few changes to the original file.

I start by converting the image to black and white. Then I gently massage the image and adjust the shadows. I’m looking for the details in the shadows. Contrast matters, and with a high contrast photo I like to convey a sense of dynamic intensity. Low-contrast photos have a different energy with a softer and more muted quality. Therefore, I adjust the contrast level to where best suits the story I’d like to tell. Also, I sometimes add grain to an image. Vignetting is a useful tool, and I prefer adding a slight amount to my imagery. I always adjust the tone curve and affect the contrast levels. Sharpening is the final part and adds the polish. And that’s about it.

In addition, I recently wrote a blog post called ‘People Photography’. I outline my process of taking street portraits with permission. If you like street portrait black and white photography I recommend you visit this journal entry.